In just under a month, my fantasy novella Perilous will be available to read. You can pre-order it here.
What's the novella about?
It follows the history of the Sangreal (the Holy Grail) from the Sangreal's point of view. It is a spirit trapped inside a jewel forged by the Archangel Lucifer and fallen to Earth during the war in Heaven. Perilous is primarily an Arthurian story, following the half-Archangels Merlin and Nimue whose lives become tied to the Sangreal and the fate of the kingdom.
“Unified
theories also show us why we observe the World to be governed by a variety of ‘fundamental’
forces of apparently differing strengths: inevitably we must inhabit a
low-temperature world…and at these low energies the underlying symmetry of the
World is hidden.”
Before getting into the real idea of this, this picture gives the basic idea of what we'll be looking at:Cutlery aside, there are four known forces in nature: gravity, the electromagnetic force, the weak force, and the strong force. Although they usually seem to have very different effects on the substances they act upon, in some circumstances, these forces can be united. For example, I’ve already called the electric and magnetic forces a united “electromagnetic force,” which is because what on large scales looks like two forces is in reality just one. This is evident at small scales when you go down to the level of particles or in certain circumstances on larger scales. For example, there are electromagnetic waves (photons, or particles of light, are a kind of electromagnetic wave), whereas on larger scales, we usually see different aspects of electromagnetism with, say, magnetism in a bar magnet and electricity in the powering of our houses. Other forces also exhibit this underlying unity. The electromagnetic and weak force are often just called the “electroweak force,” representing a further level of unification at higher energies.
So
that’s the basic physics idea behind GUTs and TOEs. But if we take it a step
further, it could be possible that this is only a small segment of a larger
process that occurs in the universe. Take one of our “separate” forces, say, the
strong force. What if that force is really the unification of other forces that
have already merged? It would then be a more basic force than they are, but would
split when the universe cooled to lower temperatures. You could go the other
way around too. After gravity, when you have your TOE force (sounds awful, I
know. I’ll call it the Everything-1 force, or E-1), there could be other forces
that could merge with it too. So as you go to higher and higher energies, ones
that are hardly imaginable now but that we may reach in the future, you could
get an Everything-2 force (E-2), then an E-3 force, and so on.
This
ties right into Plato’s Forms: the more complex Forms derive from simpler ones
that are more fundamental. These continue splitting as you go to lower levels
of existence until you reach the world here, where there are particular objects
that partake in many of the individual Forms. To reach enlightenment, one must
ascend to higher levels of existence and eventually become one with the higher
Forms. This is common in Neoplatonism, where the goal is to ascend to the One,
which is the highest level of being. This can also be seen in Buddhism: the
more enlightened one becomes, the simpler one’s existence is. Matter is much
more complicated than the Forms, and the lower Forms are much more complicated
than the higher ones of, say, Number, Symmetry, Beauty, and Motion (for
instance, a moving baseball is much more complicated than Motion in general,
because Motion is not a particular motion, but the source that all instances of
motion derive from). In understanding and becoming in tune with the higher
Forms, you can return to the source of all those levels of existence below you
and be able to understand them in a unified way rather than as fragmented from
one another.*3 The reason that the electromagnetic force’s strength is greater at smaller distances is because of virtual particles. Electrons can emit virtual photons that can then turn into positron-electron pairs (a positron is an anti-electron). The positrons, being of a positive charge, are attracted to the original electron and screen its charge by cancelling some of it off with their positive charge. At larger distances, there are more of these pairs, and so the force is screened more, but as you get closer and closer to the electron, there is less screening, and so the strength of the force increases on smaller scales, which is at high energies.
I just finished reading War in Heaven by Charles Williams, which is now one of my favourite books, so I thought I'd give a brief book review to share what I thought of it and hopefully convince more people to read it. Note that I'm not giving away any major spoilers, and although there are some things I mention that happen later in the book, it won't ruin the story to know them ahead of time.

This was an AMAZING book! I'm surprised it isn't more well known. It had an exciting plot, the characters were great, it was very insightful, suspenseful, and it was beautifully written. It blended mystery with adventure and the occult, and the setting of England in the 1930s gave a quaint, homely feel to it that nicely complemented the otherworldliness of the Holy Grail and the strange occult rituals Gregory and co. were engaged in. The whole story, in fact, was a blend of everyday reality with a supernatural world that lies both hidden within it and beyond it. Most of the characters worked at a publishing house, and besides Gregory and the Archdeacon, none of the main characters had any connection to the supernatural before the events of the story began. I didn't find the book at all creepy or over the top in any manner, but there were definitely uncanny parts to it.
Although the book itself wasn't creepy, the villains-- Gregory Persimmons, Manasseh, and the unnamed "Greek"--were all extraordinarily creepy people. I liked how Gregory became one of the main characters though, because although he really has no morals, he is still a fascinating character. It was just so fun being in his head as a reader and seeing him plot out his evil plans while others remained unaware. The fact that he isn't as powerful and vindictive as Manasseh and the Greek makes him a more realistic and multi-dimensional character and so is probably the most interesting character in the book. Other than him, I really liked Kenneth Mornington, and one of my favourite parts with him was when he confronted Gregory and was going to resign from his job at the publishing house. That part went: "Kenneth had an impulse to say that he resigned, and another to knock Gregory down and trample on him." The Archdeacon was also a great character, at the same time sublime and at peace with the universe but also getting flustered at hilarious trivialities. Also the way he would leap out and snatch the Grail and somehow get away with it was priceless. The inspectors were great fun too, in all their bafflement at solving the murder case and how Gregory, Lionel, etc. fit into it.
Besides the characters, the story was very unique and the writing and descriptions often made me pause and think. It wasn't difficult to understand, but there were some amazing comparisons and descriptions that made me wonder "How did he think of that??" For example, describing the Archdeacon "glinting like a small, frosty pool" when he is acting cold and reserved. Also the quest for the Grail was not at all typical: the chalice they're all after was suspected to be the Grail but it isn't until later on in the story that anyone finds out that it definitely is. It was mentioned in the manuscript of an unpublished book and everyone really went off from that. And throughout the book, it is not the Grail itself that is important, but the connection with the divine that it represents. Hence why both Gregory and the Archdeacon are loathe to bring the police into the case, and why, at one point, Gregory, Manasseh, and the Greek work to destroy it remotely through some supernatural power.
There were also many philosophical ideas about religion, predestination, and the connection one can obtain with higher powers. Gregory was a particularly philosophical character in his own evil little way, well, I shouldn't say "little" because he really takes the whole universe into consideration and tries to connect with some dark demonic power (his "master") which he sees as someone/thing that will allow him to become a greater being. Lionel also had a very peculiar mentality. We saw more of him at the beginning of the book but then he fades to a more minor character later on. He has a deep-set fear of some unnamed horror that might emerge from the world around him and snatch his life or the lives of his family. It's as if he feels he needs to be prepared for a god to swoop down and blot them out of existence. He can never shake of the unearthly dread which for him seems to creep at the edge of ordinary life. When there is a murdered man found in his office and when his wife seems to be possessed, these fears are only confirmed. I feel like there could be a sequel with him as a main character because despite his odd ways of thinking, he's a very captivating character.Prester John (who is the caretaker of the Grail and somehow also the Grail) is also an interesting character. He is more remote and has a strange effect upon everyone who meets him. He seems to amplify the qualities in people that might have been hidden but that nevertheless define them. For those who are immoral (Gregory, his servant Ludding, etc), he seems to make them besot with hatred or revulsion, though it was very subtle so that didn't seem "magical" at all. As for those who are good, he amplifies those good qualities, or certain peculiarities like the talkativeness of Mr. Batesby. John is like a mirror that reflects one's spiritual condition and makes it clear to others, though the person in question might be unaware of how they appear themselves. Though I wouldn't call John a moral character himself. He's not human (at least, not any more, because I assume he's based on the actual Prester John) and so is beyond human morality of good and evil, which ties in to the predestination theme, in that he does what must be done in accordance with the order of the universe, and will not step up to save a life, for example. He is not a god who will fix their problems, but he will help them see more clearly so that they can choose the right path to follow. How he is related to the universe at large and if he is aware of the future (if it is even set) is not clear though.
All in all, it was a great book, but although it was my cup of tea, I can understand that it might not be everybody's, so I wouldn't generally recommend it to everyone. However, I do think a lot of people would really enjoy this and that it is a delightful masterpiece.
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First
of all, what is a dimension, really? It’s easy to see for space: we live in a
three-dimensional world, the three dimensions corresponding to length, width,
and height. Everything, from cats to particles, can be located in space with
three coordinates (x, y, z). If there was a fourth spatial dimension, we would
be unable to perceive it because we are three dimensional beings and so don’t
have the capacity to interact with it directly. However, higher dimensions can
still have effects upon us (see my previous article on multiple worlds
here).
From
Einstein, we have learned that it is possible to alter our perceptions of time
and the rate at which we pass through time (as seen in his special and general
theories of relativity), but it still isn’t possible to truly reverse time. We
can’t just stop and head backwards in time like we can stop on a path and
reverse our direction. It is possible to greatly alter the rate at which we
pass through time by travelling at high speeds or going close to a massive
object (massive as in black hole massive), and perhaps even to go to a
different time entirely via a wormhole that cuts through the fabric of
space-time, but in our general lives, these things don’t happen often, if at
all (I’m still waiting for a TARDIS to land in my backyard though…), so we
won’t consider that here.where c is the speed of light, ds is the interval in both time and space, dt is the change in time, and dr is the change in space coordinates (x, y, and z). It’s basically just saying that moving in time and space can be written in a combined manner to give the total “interval” that you moved. We can see that space and time are treated differently just by a quick look at the equation: the interval of time is multiplied by c, and it doesn’t have a negative sign like the spatial interval does.
However,
we know that space-time is not stationary: our universe is expanding. This
doesn’t change the time part of the metric, but it does change the spatial part
because every point is moving further away from every other point. It’s like
blowing up a balloon with gridlines on it: as the balloon expands, the distance
between the gridlines enlarges. In this scenario, the metric is
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I can’t
believe I only read this book recently: I probably should have found it and
loved it long ago. In any case, Peter Beagle’s fantasy classic The Last Unicorn is a wonderful story
about a unicorn in search for her missing people and two humans who accompany
her on her journey. The first part of the story focuses on the unicorn’s point
of view, which is important to help us understand at least a glimmer of how the
unicorn thinks and understands the world, but the majority of the story follows
the magician Schmendrick and the woman Molly. The story was written
beautifully, and many of the descriptions held me in awe, making me read them
again and again. It’s not a predictable story either, although it has the feel
of a heroic adventure story, Prince Lir being the hero, though he comes into
the story quite late and in many ways is not a typical hero. I’m not going to
summarize the book, but I’ll point out some of my favourite parts and some
interesting themes the story evokes.
First off
is the magic within the story. Besides magical creatures such as the unicorn,
magic is possessed only by magicians who study it or who have a particular gift
for connecting to its powers. The unicorn is the embodiment of pure magic and
eternity, not aging and not affected by the turmoil in the world around her (for
the most part). Her magic is more subtle than that of humans, who have to study
it rather than having it outflow from them naturally. However, it is also
possible for humans to have a direct connection to magic in vision-like bouts
of power. Schmendrick is usually unable to perform real magic (he performs
tricks and illusions mostly), yet there a true power comes through him at times,
and instead of letting him direct the magic himself, uses him as a vehicle. The
magic works through him rather than being directed by him. This is interesting
because it shows that the most powerful magic lies in magical beings who use it
naturally as well as a higher power that can work magic through others as is
deemed fit. Yet as to the identity of this power, we can only speculate.
“When I was
alive, I believed — as you do — that time was at least as real and solid as
myself, and probably more so. I said 'one o'clock' as though I could see it,
and 'Monday' as though I could find it on the map; and I let myself be hurried
along from minute to minute, day to day, year to year, as though I were
actually moving from one place to another. Like everyone else, I lived in a
house bricked up with seconds and minutes, weekends and New Year's Days, and I
never went outside until I died, because there was no other door. Now I know
that I could have walked through the walls.”
Yet despite the unicorn’s powers, King Haggard’s Red Bull
still proves to be a formidable enemy that has trapped many of her kin. We
never find out what the Red Bull really is, though I take it to be a
manifestation of fear and hate in contrast to the unicorn’s pure magic. It’s
not that she has the magic of love and the Red Bull that of hate, because, as
we see in the story, apart from the time that the unicorn becomes human, she is
not a force of love, but is beyond human emotions and concerns. This is
expressed clearly when she says, “How can I be cruel? That is for mortals…so is
kindness.” This might seem callous from a human’s point of view, but for an
eternal being, it is inevitable that they see things from a more remote
viewpoint since they are essentially outside of the endless cycles of life and
death. This is a very different take on unicorns than we normally see in
fiction: it isn’t until the unicorn becomes (part) human that these sorts of
sentiments arise in her, and this seems more realistic.
Neoplatonism
is an important school of thought that formed to resolve enigmas in Plato and
Aristotle’s philosophies, Plato in particular. Indeed, Neoplatonists claimed
that they were only explaining Plato in more detail, fleshing out what he
really meant. The quote today is from the Roman philosopher Plotinus, who lived
from 204 – 270 AD, and was one of the founders of Neoplatonism (though at the
time, they just claimed to be Platonists). The quote is one of my most
favourite ones in all of…well, everything, so be prepared for a long blog post!
At the base of all existence, subsuming all other
hypostases, is the One. It is the
source of everything, transcending “being” as we know it. We usually think
of the verb “to be” as determining something qualities. A dog is a dog because
it has a specific form, a particular code of DNA, and so on. This is
determinate being, but the One is infinite and indeterminate, containing all things, so it can’t be described in
this way. If you describe it as one thing, you’ll leave something else out. Determinate
things can be described because you can say they are “x” rather than “y.” Toto
is a dog, not a cat, or a duck, or a hippo, etc. Yet the One is everything. Just like the Tao, it cannot
be described: we can only gesture to it in metaphors and perhaps glimpse it in
insights that go beyond our reasoning mind. The human mind can only grasp
determinate things, so the One will remain out of our grasp unless we go beyond
seeing things in sequences and in time.
The best analogy for this is the dispersion of
white light by a prism (which I described in a few other posts): the white
light of the One splits into various colours upon entering the prism, so there
is more variety in what is further down in the hierarchy. However, the One is
undiminished, for like the white light from which the colours arose, it remains
pure and simple, even though its dispersed beam appears to be multiple. This
process continues down to much more complicated levels of existence until the
physical world comes into being.
In order to ascend back up the ladder of being,
Plotinus gives us two ways: “One shows
how contemptible are the things now honoured by the soul…the other teaches and
reminds the soul how high its birth and value are, and this is prior to the
other one.”![]() |
| Diagram from Max Tegmark |
This
eternal law, which describes how the physical world works, partakes in higher Forms
of Symmetry, Number, etc. Plotinus says that “Even in seeds it is not the
moisture which is honourable, but what is unseen: and this is number and
rational principles.” Thus, physical laws (rational principles from the
eternal law) and number (mathematics in Intellect) form the basis of everything
in the world around us. More specific laws arise when the eternal laws is applied
to, say, the microscopic realm with quantum mechanics, or the macroscopic realm
with gravity. But if you could understand the greater laws above it, you would
be able to describe both quantum mechanics and gravity with a single law, and
even more generally, both souls and bodies.Click here for more posts in my Quotes of Wisdom series.
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